One of my favorite illustrators is someone whose work is very hard to find, and is someone whose biography is even harder to find. The artist is
Frank Mullins who did a lot of great work throughout the 60's.
I first came across Frank's work while looking for sports illustrations as inspiration for my NBA Friday project. I decided to look through the online catalog of covers for
Sports Illustrated and when I got into the covers of the 1960's I started seeing some remarkable illustrated work.

I saved as many of the images as I could find so I could study them. A lot of them were by Frank Mullins, some were by other artists who were doing some great things on the covers of Sports Illustrated at that time. The problem was that I had no idea whose work it was, since the catalog doesn't attribute credit to the illustrated covers, only to the photographed covers.
I took some of the files I had and studied them closely, trying to make out the marks that made up the artist's name, Frank Mullins. The name, hard to read on some covers was clearly legible on a cover featuring Tommy Mason of the Los Angeles Rams from 1967.
The majority of what I know about him has come from my contacting the artist's daughter, Patty, who I found through askart.com, the only other source I was able to find.
Mullins was born in 1924 in Springfield, Massachusetts.
After two years in the army in World War II, Mullins returned to the US and attended and graduated from Pratt Institute in Brooklyn where he majored in art. He would later get his masters in art education at Columbia University in Manhattan.
He began his illustration career while working at Cooper Studios, run by Charles E. Cooper. Cooper Studios had a large roster of some of the most talented illustrators working under its roof, providing illustrations for publication and advertisements. It was the most well-known illustration studio in the country. During the most successful years of its existence (through the 40's and 50's) there were as many as 60 artists on staff creating illustrations that became the trademark style of the time.
Although Frank Mullins was employed by Cooper Studios, he originally only worked there as a "mat-boy," matting illustrations on board for the staff artists before the work was sent to the magazines or advertising agencies.
It was at Cooper Studios where Mullins met the illustrator Robert Meyers (see illustration below), who specialized in Western-themed illustrations, painting cowboys and Wild West landscapes.
Mullins would often stay late to help Meyers who was grateful for the help and offered to tip Mullins. Instead, he asked for painting advice in return and Robert became his mentor, with Frank eventually becoming a staff illustrator at Cooper Studios himself.
Mullins went on to illustrate for various magazines including Sports Illustrated, where he got his first job painting Australian swimmer, Murray Rose (shown below). He also illustrated for Reader's Digest, Redbook, The Saturday Evening Post, the U.S. Air Force and books.

Frank also has his work on display at the
American Museum of Natural History in New York City. Approximately 15 of his paintings are displayed in the Hall of Asian Peoples behind artifacts and dioramas. I haven't seen these yet, but I definitely plan to make a trip to track them down.

Frank's daughter, Patty, told me that Frank's paintings were quite large for magazine illustration work. The original painting of
Sonny Liston he painted for Sports Illustrated in July 1963 measures 34" x 26" (shown below).
There isn't much more I know about Frank Mullins. According to askart.com he died in 1978, at the age of 54.
All Frank Mullins illustrations shown are from the
Sports Illustrated Cover Archive. You can visit that
here (I highly recommend searching the covers throughout the 1960's where there are many illustrated covers), and see some more covers by Frank Mullins
here, although it is not the extensive list.